出版社: Prestel (2015年10月1日)

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精装: 192页

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语种： 英语

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条形码: 9783791354651

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商品尺寸: 28.4 x 25.4 x 2.3 cm

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不可思议的两个物体描绘出雕塑的两种主导模式，串联起超现实主义运动中物体的组合和生物形态主义的自然启发的对话。这本书不断讲述了从1920年代初到1940年代末欧洲和美国的超现实主义艺术家的文献。艺术家来自法国、德国、英国、西班牙、瑞士和美国，他们从一开始就是以一种跨越国界的形式去确立超现实主义。主要艺术家建立的物品在他们的作品包括有杜象,曼雷,萨尔瓦多?达利,汉斯?贝尔默和约瑟夫?康奈尔。主要表现生物形式主义的有让?阿尔普，马克斯恩斯特，亨利?摩尔，芭芭拉?赫普沃斯和野口勇。此外,阿尔贝托?贾科梅蒂,亚历山大?考尔德和大卫史密斯,他们更加强调格局的创新手法,这个创新影响了现代雕塑的发展。这里有近两百多张插图和精选一些有非常深刻有见地又年表的历史性文章都是由瓦莱丽?j?弗莱彻整理提供。超现实主义的粉丝和喜欢这类型的人们将会非常感激看到有这么一本书深入到创新手法和有影响力的立体杰作。

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Marvelous Objects delineates a dialogue between the two dominant modes of sculpture that evolved in tandem within the surrealist movement found-object assemblages and nature-inspired biomorphism. The book offers a continuous narrative of contributions by both European and American surrealist artists from the early 1920s through the late 1940s. Artists from France, Germany, Britain, Spain, Switzerland, and the United States established Surrealism as transnational from the outset. Key artists who incorporated found objects in their works include Marcel Duchamp, Man Ray, Salvador Dalí, Hans Bellmer, and Joseph Cornell. The biomorphists encompass Jean Arp, Max Ernst, Henry Moore, Barbara Hepworth and Isamu Noguchi. In addition, Alberto Giacometti, Alexander Calder and David Smith, are highlighted for their game-changing innovations that influenced the evolution of modern sculpture. Nearly two hundred illustrations and a selection of historical texts accompany the insightful essay and chronology by Valerie J. Fletcher. Fans of Surrealism and those new to the genre will appreciate this book s in-depth approach to its innovative and influential three-dimensional masterpieces.